An Amazing Staging of Handel’s ACI, GALATEA E POLIFEMO
Imagine a Handel opera staged in such a way that the sexual politics of today’s Me Too movement against the sexual predations of powerful men are not only evoked, they also lead us to indict predatory men like Donald Trump, Harvey Weinstein, and Jeremy Epstein. This is exactly what happens in the current Philharmonia Baroque production of George Friedric Handel’s Italian opera Aci, Galatea e Polifimo, which runs from January 24 to February 1 at San Francisco’s ODC Theatre. The idea behind this amazing production began with countertenor Anthony Roth Costanzo and Brooklyn’s National Sawdust, an innovative arts institution in the Williamsburg section of Brooklyn. In 2017 they approached the Bay Area’s Philharmonia Baroque and proposed a collaboration to produce a Handel opera, written in Naples in 1708, about the mythical sex-triangle of Acis, Galatea, and the monstrous, one-eyed Cyclops, Polyphemus. Their collaboration bore fruit in the 2017 production of Aci, Galatea e Polifemo in Brooklyn, which drew rave reviews from New York critics. Now they have brought this same “radical production of a Handel rarity” to Bay Area audiences; and make no mistake about it, this show, as New York’s critics noted, “wrings every bit of unsettling darkness from this curious work.” -more-