On Friday, September 20, a large, garrulous crowd converged in the courtyard of Berkeley's School of Journalism to celebrate the publication of "The Battle for People's Park," a memorable collection of historical notes, memories, photos, and factoids assembled with pizzazz and precision by Berkeley's Heyday Press.
Adding to the event's allure was the promise of an evening panel discussion moderated by Berkelyside co-editor Frances Dinkelspiel and featuring activist photographer Nacio Jan Brown, Yippie leader Judy Gumbo, author Tom Dalzell, and Heyday publisher Steve Wasserman.
After sampling and enjoying the free wine and snacks in the courtyard, I decided to duck inside and check out the display of People's Park photos lining the J-School's halls. Halfway down one corridor, however, I discovered a display of printed sheets pinned on a wire, advertising class options for the Fall. But there was one announcement that stood apart from the others—it appeared to be a cartoon by hallowed underground artist R. Crumb (Remember "Mr. Natural"?)
It was clearly a recent piece of political art, created in response to the dire news that UC Berkeley plans to celebrate the park's 50th anniversary by "developing" the long-standing open space—created from scratch by hundreds of Berkeley students, professors, activists, families, and children. The UC administration argues it needs to destroy the park to "build student housing."
The reaction to this pronouncement has been loud and clear. As Steve Wasserman, Heyday's eloquent publisher put it during the panel discussion: "This is sacred ground. Blood was spilled. People were shot. James Rector died. Alan Blanchard was blinded." And others were scared for life.
R. Crumb is clearly someone who remembers,I thought. This unsolicited "drawn message" contained images that harkened back to the Hippy Sixties. Front and center was a big-headed, whiskered face with eyeballs popping from their sockets. Strange beasts erupted from a ruptured skull and strutted on all sides. In the upper left, UC Berkeley's beloved icon, Oski Bear, was portrayed standing uncomfortably spread-eagled over a large screw. Crumb himself was depicted as a hairy, roving tarantula. And, above all, there was a crude, high-decibel message: "If UC thinks it can FUCK with People's Park, we're gonna ROCK the Hayward Fault with a 9.0 shock that will kick their ass!"
I returned to the courtyard to share the discovery with a photojournalist friend. "Let's get a photo before someone grabs that sheet," I begged.
By the time we returned, the leaflet was gone. Not a single Crumb was left.
I sent a message to Crumb's reps, hoping to score an electronic version of the poster. A few days later, I received a surprising message from the artist. "I have no idea what artwork this might be," R. Crumb wrote. "I was not consulted by whoever used this artwork for whatever purpose, that I can remember. But, what the hell, I'm happy to do my part for the cause of saving the People's Park."
Perhaps this is a case of artistic "doppleganging," where some anonymous artist effectively mimics the work of a well-known artist. (This has happened with the British-based political muralist "Banksy.") I've sent word to the People's Park Committee asking if they have any leads on this mysterious Crumb-toon.
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