American Bach Soloists Perform Handel’s SEMELE
Ever since its premiere at Covent Garden in 1744, Handel’s Semele has mystified audiences, who can’t decide whether it is fish or fowl, opera or oratorio. As the 20th century musicologist Winton Dean noted, “the public [in 1744] found [Semele’s] tone too close to that of the discredited Italian opera and set it down as an oratorio manqué”…. Like the ‘discredited’ Italian opera seria, Handel’s Semele adheres to the da capo format whose ABA structure of arias many English audience members were beginning to tire of due to the format’s tedious repetition. (I have often said that when one hears a Handel opera, even for the first time, one hears it in fact three times, due to the repetitions of the ABA da capo format.) -more-